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(Shires Animation Studios logo: The shorter version.A continued Jazz music playing "Santa Claus, Don't Be Late" again.) Then the word "Shires" zooms back to take its place on the castle, A circular line is drawn over the castle (in the same vein as the previous logo), which is situated on a cloudy sunset landscape, and then fade out.
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We continue to fly forward line up and encircle the castle and mountain ahead. We follow the as they skim the lake and create ripples. As the flies towards us, we follow the star to reveal that we were looking at the reflection of a lake.
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The image pulls back to reveal that it is a pupil, a close-up of Leo's eye. (On a black background, we see flickers of light.(Drum roll and Opening Jazz Fanfare intro and instrumental Jazz playing "Santa Claus, Don't Be Late" on back background.).Jeff Davis is a sound designer and mixer living in Vancouver Canada. His films include Lord of the Rings, Pirates of Caribbean, John Carter, and Maleficent among many others. About Tim Nielsen & Jeff Davis: Tim Nielsen is a sound designer and supervising sound editor working in Northern California. All libraries on site are sold as single user license.For multi user license, please contact SonicSalute. All tracks were recorded into a Sound Devices 722.
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The device was recorded two ways over the course of the recording day, with a pair of C-Ducer Ribbon Contact Microphones, and an extended Schoeps MK41/MK8 CMC6XT MS setup, pointed into the focal point of the sheet of steel. These sounds have proved incredibly useful when bridging the music / Sound Design boundary, and have provided a lot of tension into scenes over the years.”Įquipment used : Earth Mother Communicator Library is 359 tracks, 96/24. Based on the ‘other worldliness’ and somewhat New Agey sounds we were getting, Jeff coined it the ‘Earth Mother Communicator’, a name that immediately stuck. Low and thunderous, to high and piercing, it generated sounds that we had never heard. Part water phone (without the water), part plate reverb, the tones that came out of this thing astonished us. So one weekend, in a friend’s garage, we took an 8 foot sheet of polished steel, rigged up a support and rod system, and had some fun. He immediately decided we had to build one. You could hit them, bow them, drag rubber mallets across them. While living in Vancouver, I had been describing a family of instruments to a friend and Sound Designer Jeff Davis, that use a large sheet of steel as a resonating body. EMC sfx library by Tim Nielsen & Jeff Davis